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.RV—Hallucinations are a way of.…O—… hallucinary … Oh, that's kinda cute—an Hallucinary MongoloidRV—….loosen their minds.Do the life B-…RADIO—From GARDEN CITY comes…O—THATs an hallucination.This clearly what it is—it's a ribbed fabric.RADIO—… and I'VE decided to DROP you PEOPLE a line, because … think the YOUNG sound is GREAT, and I.…O—Look, Ronny-RV—(muffled, inaudible)BN—You're waiting for some-.…O—Cipro KEEn?RV—… lie down there? … glas to a piece of china.…O—(name is muffled) … was up there.RV—I Know.RADIO—.… MEN'S WEAR, head to foot,…O—OK, that's my hallucination (beating of the microphone).full of pennies.someone beating out the microphone obscures the next few statementsRADIO—THREE for eleven eighty FIVE, and.…O—Empathy … Non empathyRV—Sock it to me …O—Sockit to—do you feel sock it to anything?RV—NOBN—(grunting) You can't say the WORD.It's always usd.e WhatisIT?O—But I-… I don't know what thy call themBN—What is the Youth of the Nation when it s—O—(humming) hmm.Hmmmmm-HMMMMMMMRV—PiteousBN—No.When it has no care or feeling or means of association or a definition.O—Lost.RV—Owwwhhhh, uh, mmmmmmm Mmmmmmmmm MMMMMMM beating on tape recorder and continuous drone of Radio announcerBN—Straighten out that piece starting.Nayasee what I ME-EEE-EAN short speechless pauseBN—THAT’S apathyO—(muffled laughter) I KNOWRV—.… makes a lot.Makes a lot, that fucking male.RV—.ALIENated…BN—NO-OooooO—No.RV—Able, that's what it IS.BN—Sorry, sorry, that's not it at all.You didn't have any empathy set upO—(simultaneous with Billy) The reason is … he's an Ilitera- illegitimate.You Said it before.RV—You said it before.BN—.… you've added/edited it.O—MoNono again.Orio … Amphetamine.… (heh heh ha)RV—Yes, it's naanaaanaaO—No, it's lkanooo mooooo (CRASH) That was it.BN—There's a word in depositor form.RV—I ONLY wanna talk about sex and drugs—if you're not gonna talk about sex and drugs I'm not gonna talk.O—OW-UH-mmmmm.I dunno what the wor dis.Oooooo-mmm- mmm misennis,.but I didn't get to it.BN—Wah-uh-welll, … Here We Are.O—This Aw-all … ? This is everything … ?BN—My head hurts.O—My head hurts (all mumble off), -ments with the Emperors of China.RV—(inaudible)O—You DID.BN—And you laughedafter you said it.O—No, but he was a headRV—I could he was RAIsed on a dioc.(fades) … approach.O—He wasBN—He had to go up-uh a stairway.… O, hmmmmmmm, hmmmmmmWHISTLE: ScreeeeeeeeechO—That was the factory whistle., We baly goffBN—Weee blay go.… Joe Bang is it? Weebedda goO—No.We parta coffBN—We carta coO—Ah, the name's.ah.the same?BN—Are they bigger than … uh … a breadbox?O—Are they frozen bed boots—are they bigger than ever?BN—(shrewish falsetto) sssiiiiix-teen tuonolsRV—(half-singing) What is this thing.this thing… …O—Are we recording Now … ? aGAIN.…?BN—uh-GANE.O—.bedbugs (low whistle) Uh-oh.Whoopsie.Female Singer—.… somebody else.…O—I wonder what music we're going to hear now.BN—Oh yeah.Ya see, I've discov ered I can play the radio AND the mike at the same timeO—Non-suggestiveBN—Non sequiturO—Nazis.Prussin—your Prussian TacticsBN—You're losing the tempo of your soliloquyO—I know, but it put me to sleep.BN—TEMPO—O—PRESENTS … temp.Ronnie,RV—What?O—I think we're gonna go, I tell ya.I think, Billy, that that's done, right?BN—However, it's the last opportunity to include things in the book that you want to make sure are in it.O—What?BN—However, it's the last oppor- tuntiy to include things in the book that you want to make sure are in thereO—AWRIGHT.Let's see—what other group? I wanna really get rid of people.… (YAWN) Ho.HUM.Well, if it's not in the book now, it never will be.The Book.BN—THE Book.O—Well, its about timetogo- GBYEEEEE.So, it's nice to see you again, Billy.OOOOOO, welcome to Henry s.Ciao, queensBN—Ciao Queens.O—Ciao, Staten Island, Bronx, …RV—More, more—you never know how much is enough until you've had too muchO—Ooooooooo, he's leaving.RV—Nothing succeeds like excess.Sock it to me.O—Spock it to me.RV—Oh, more of these immortal words.BN—Doctor … ?O—Fay Blows.Well, so long, I'm off to Henry's.BN—Oh, no.O—Oh, yes.BN—Not you, Bob.RV—That's the end of the spotlight for this hour.O—Heh-heh … this hour.Hey, Billy—here's a picture of Henry.BN—I Know.Oh, no—not THAT one.Out of the garbage, into The Book.a: A Glossaryby VICTOR BOCKRISa was the first book Andy Warhol wrote, although not the first published.That distinction went to The Index Book (Random House, 1967).a was published by Grove Press in the fall of 1968, a few months after Warhol had been shot by Valerie Solanas.The novel purports to be a recording of twenty-four hours in the life of Warhol superstar Ondine, but actually it was recorded in four different sessions.The first twelve-hour session was recorded in August 1965.Thereafter, there were three separate taping sessions in the summer of 1966 and a final one in May 1967.The book then found its own voice, taking on a life of its own when the twenty- four one-hour tapes were transcribed by four women: The Velvet Underground's drummer, Maureen Tucker; a part-time Factory worker and Barnard student, Susan Pile; and two high school girls hired for the express purpose of transcription.All four shared a disinclination to spell correctly or apply the rules of grammar.This was due in part to the difficulty of transcribing tapes in which many voices were talking at the same time.Furthermore, speed was of the essence, and it was presumed that after the first rough draft, corrections would be made.However, on first reading the entire original transcript of the book, Warhol was delighted by the mistakes and decided to let them stand.Added to that was the necessity, he felt, to change the names of almost all the characters in the book and further confuse the issue by obscuring the text even more by randomly changing comments he liked or disliked.The job of making sure the final galleys were delivered to Grove in the form Warhol requested was given to the Factory's foreman, Billy Name.According to Name, the titled a both refers to amphetamine and was used as an homage to e.e.cummings.Name also felt that the novel fell into the surrealist genre personified by Andre Breton's automatic writing, since it was automatic talking.He appeared to be the perfect man for the job [ Pobierz całość w formacie PDF ]